Primose and Planning, pastel on paper, 14.5 x 16 cm
I wasn't tempted to reach for the too many muted colours when composing something that spoke to me of spring. Instead, my underpainting, crushed orange pastel with surgical spirit to fix it, was intense and my first marks, in a bright blue almost convinced me that it couldn't work. Instead I tried to keep the intensity, the free application of colour and shape and to create the belief that these objects belong together and are part of a story that hangs in the air.
I'm a painter printmaker. I use egg tempera to paint portraits and still lifes; pastel for still lifes, landscape and interiors, monotype for life drawings, portraits, interiors and landscapes and fused, stitched plastic to play with colour, shape and light. I was NEAC drawing scholar and exhibit regularly in Suffolk and London. I am also a practicing mail artist.
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