Our models are all very different. With one, you might get the feeling that you have caught them in the moment between something else; another tells a story with a shoulder. With Emily, it's as though she stops time. Today I was using the side of my pastel to approximate areas of colour and light. I used my eraser very little and just drew over to make adjustments. I like the loose peaceful feel of some of what I drew. The first four sketches are ten minute poses. The last was 25 mins.
I'm a painter printmaker. I use egg tempera to paint portraits and still lifes; pastel for still lifes, landscape and interiors, monotype for life drawings, portraits, interiors and landscapes and fused, stitched plastic to play with colour, shape and light. I was NEAC drawing scholar and exhibit regularly in Suffolk and London. I am also a practicing mail artist.
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