A Blaze of Bouquets

Pattern of Three

My mother is generous with her flowers and gives me free reign to pull out objects to draw. Left alone in the house, I wander around imagining what new arrangements could say. This year the colours in Jan's garden are imprinted on my palette and in the last days of being here I wanted to translate them in some way, distanced from their fiery border. My first bouquets were brought over by my friend and our neighbour, Sam King.

Sam's Flowers

I must admit to thinking more consciously about compostion, or at least 'naming' the composition more after the NEAC courses I have taken. Yesterday I approached my drawings in a slightly different way. Mostly it was me trying not to take out all my pastels in order to begin, a time saving way to start. When I liked the results the first time, each time I drew (yesterday) I used the approach.

I began by using my derwent pastel pencils to put down a few of the exact shapes of colour in proportion in the space as I saw them. I did not make a series of marks around the page, honing in as I made sense of the space. I also stuck to my box of sennelier pastels which are unbelievably brilliant but big and clunky, shunning my little paper boxes (aranged by colour) which are a mix of pastels from my life. 

Bob's Complementary Flowers

I guess you might say years of looking at the garden has made me a colourist. Thanks mom. What a summer of inspiration! I must also admit to be being a little excited to get back to my studio to see how there drawings evolve into the next thing, though!