Thursday, December 10, 2015
Drawing in drawings
When I was in my teens I learned that anything is a still life and any place is an interior or a landscape. You just have to look hard to see the magic. We had a new model, Esme, last week. It is hard to draw someone new. But it's also exciting. Someone like me, who enters into every drawing as though I have never drawn before, really has no idea what will happen when the new model begins to emerge on the page. Local colour is repetitive… it's the same rust coloured cushion, the same white radiator, the same grey brown floor. I shift the colours one direction and the other colours follow, if I'm lucky.
Yesterday I turned the page with Esme to the front of my pad and put it next to a new jug of flowers I'd treated myself to. I found a scarf I'd bought in Edinburgh at a second hand shop, a bowl from a different charity shop, my scarf and gloves and celery-coloured pumpkin I'd grown. I love the chaos of finding the rhythm and the energy without drawing the forms. Both drawings are 6 x 6"
I also love taking drawings or books and using them as objects in subsequent drawings!
Thursday, December 3, 2015
Colour to enliven a dreary day
Market Flowers and Silk |
Tuesday, November 24, 2015
Discovering snow light
23 x 23 cm (framed) fused plastic on paper with paint and stitching |
23 x 23 cm (framed) fused plastic on paper with paint and stitching |
30 x 40 cm (framed) paint on book pages |
I'm getting work ready for the upcoming Freudian Sheep exhibition that opens on the 5th of December, COLD. We had a little dusting of snow the other day and have had some hard frosts that bleached the grass and created the orangey-pink sky that is peculiar to the cold and I've been thinking about that. I've just glued the work to board and I'm hoping that solves the wrinkles… if not will have to take apart and reassemble differently.
Sunday, November 1, 2015
Scale, Shape and Versions
Late Dahlias, pastel on paper, 6 x 6" |
Late Dahlias V2 pastel on paper, 19.5 x 28 " |
It's fascinating to see these next to each other on the same scale! The top drawing (more than three times smaller) was made first and is complete. The bottom drawing is not complete yet because the light faded and I could no longer see what I was drawing, so needed to stop. I made the first drawing, intending to use it to make a bigger piece. I began the second drawing by working from the first drawing, using many of the same colours, but I worked upside down. Once I had the gesture and the basic colours laid down I began working from life, the right way up. Because the second drawing was bigger than the first I needed to work on a table and the table was lower than my plein air easel, I was a bit further back too. I hadn't made my mind up about whether I was going to cut the larger paper to a square. In the end it worked to use the whole thing.
Here is the finished drawing, which has been pre-selected for the Mall Galleries Pastel Society exhibition!
Here is the finished drawing, which has been pre-selected for the Mall Galleries Pastel Society exhibition!
Wednesday, October 28, 2015
Exploring Scale
Recently I was commissioned to make a bigger painting based on one of my smaller drawings. I approached this by drawing, but drawing bigger. Working much bigger 60 x 60 instead of 6 x 6 with pastels was a fascinating process! It was much more physical and keeping big blocks of colour with small tools was a different challenge. The colour I can get with pastel is so rich and intense. In the end I didn't make a painting.
This one is also big (50 x 50) and it was a challenge of a different sort. I wanted to capture the rhythm of light and the mystery of the woods and to share my feeling of the meditative aspect of this space. When I made the original drawing I was trying to get the detail down in a short space of time. With a bigger version I was trying to remember my feelings and translate them in light.
Wednesday, September 23, 2015
Daily drawing
When I have the most to do, on days with my longest lists, when I can't afford to be in the studio all day, I always put 'make a drawing' on my list. It's hard to get through a long list, so before dinner I stop everything else and make my drawing.
I'm reading a book of mindfulness exercises, hoping to find ideas for our exhibition at StowHealth and obviously I am practicing a bit of mindfulness as a result. (I wasn't sure what mindfulness was until I began reading the book). I like the book particularly because it uses paintings as a way into the exercises. When I paint and draw I guess I am 'mindful', the world falls away and the space between me and what I see changes. It is always difficult to tear myself away from something beautiful that I am looking at, it's easy to overwork a piece.
Another thing I am trying to do is to appreciate my flowers. I walk through the garden, smell them, look at them but I also pick them and put them on the table. Today I cut some flowers, pinned a two page spread of a map to the wall, grabbed some cloth, began to look and to find the space between me and my subject with my pastels.
I'm reading a book of mindfulness exercises, hoping to find ideas for our exhibition at StowHealth and obviously I am practicing a bit of mindfulness as a result. (I wasn't sure what mindfulness was until I began reading the book). I like the book particularly because it uses paintings as a way into the exercises. When I paint and draw I guess I am 'mindful', the world falls away and the space between me and what I see changes. It is always difficult to tear myself away from something beautiful that I am looking at, it's easy to overwork a piece.
Another thing I am trying to do is to appreciate my flowers. I walk through the garden, smell them, look at them but I also pick them and put them on the table. Today I cut some flowers, pinned a two page spread of a map to the wall, grabbed some cloth, began to look and to find the space between me and my subject with my pastels.
Monday, September 21, 2015
Monday's model
Emily was asked to pose for 15 minutes today. After a summer hiatus of drawing from the model, I could have used some quick poses to loosen me up. Instead I began with charcoal on A3, measuring with my eyes, drawing, redrawing, teaching myself to LOOK carefully, trying to identify what makes Emily 'Emily'.
I used pastel for the last three drawings, this was the final one. I drew over something else. It's 13 x 22 cm. My new fixative darkened it a bit.
I used pastel for the last three drawings, this was the final one. I drew over something else. It's 13 x 22 cm. My new fixative darkened it a bit.
Labels:
13 x 22 com,
Emily,
life drawing,
pastel on paper,
Rebecca Moss Guyver
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