Oops, I forgot my roller again today so the monotypes are greyer than I like. I was working on a small plate 7.5 x 10cm today, though, so I was able to be more exact than I usually can be in a 15 minute pose.
When I make monotypes the marks I make become one of the key aspects of the work. In another 15 minute pose I made the drawing on top first and then spent the remaining five minutes being specific about the marks.
In a drawing session a few weeks ago, I remembered my roller but the first print was disappointing, the plate was beautiful, but the print was a let down. A few days later I rolled some release agent onto the plate and although it is weak in value, it has more of the feel from the plate.
Sometimes working back into a failed print or drawing gives me a head start for a different drawing. Originally this was a print of another model. I put some clear gesso over it and worked back in with pastels. although I am not convinced of the colour, the overall feel is much better than the original failed print!
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