So I continue to explore the theory that if you start from something you know and have seen then abstraction becomes believable. I began with my ruler and looked for the shapes. Turning reality on its side was obvious.
I'm a painter printmaker. I use egg tempera to paint portraits and still lifes; pastel for still lifes, landscape and interiors, monotype for life drawings, portraits, interiors and landscapes and fused, stitched plastic to play with colour, shape and light. I was NEAC drawing scholar and exhibit regularly in Suffolk and London. I am also a practicing mail artist.
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