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| Light in Hallway: monotype Akua Itntaglio on Rives BFK 6 x 8" |
I'm starting a new series! And today is the first day I've had in more than a month to work for most of the day. I have been wanting to get back to monotypes, to really explote the water-based inks and to use what I've learned from Diebenkorn, fused plastic and my recent pastels. One day last month it hit me as I was coming around the corner of our living room that light around corners is related but not specific to the work I've been doing and would be an exciting aspect of my world to study.
Today, especially this morning when I got to work, it was dark, even though it should have been light and I seized the opportunity to go around the house looking at the light around the corners. I took lots of photos. I decided to flick throuhg my Hiroshige book to look for colour inspiration. The spread below felt like the day, and I liked the wedge of green, so that's where I began.
I got the room prepared, for the first time since I've had the press! I cleared off surfaces, made a wetting station, a working station and adjusted the press, even re-filed the edges, changed the paper, etc. If I don't begin at the beginning, I don't take the work seriously, and I rush. I am delighted with the colour of the print! The ink has potential, even if it doesn't do quite what oil-based ink does. I also used plenty of brushes and found cleaning them and using them immediately after cleaning straightforward for the first time. I used hot water with the soap!
I'm excited to see what happens next.
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