I arrived late at my drawing group today, caught behind a tractor. The first pose had already begun. It was a ten minute pose and I didn't think it would be worth it to use a piece of my prepared paper so I found a pastel that wasn't working and began to transform it into a new person, a new pose, new light. In the past I have wiped the old image away and have been left with a muddy background. This time I simply began working on top. I did that all morning and these were the most successful products. I like the feeling of time and the richness of the layering.
I'm a painter printmaker. I use egg tempera to paint portraits and still lifes; pastel for still lifes, landscape and interiors, monotype for life drawings, portraits, interiors and landscapes and fused, stitched plastic to play with colour, shape and light. I was NEAC drawing scholar and exhibit regularly in Suffolk and London. I am also a practicing mail artist.
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