I'm back in the studio after two weeks going down to London almost every day. My computer is dying and I had a grey screen all last week.
There are few things I need to make work for, but I also have some ideas I want to test, lots of ideas. There has been so much input recently that I need to explore my own responses to things, and play. Today and tomorrow I have set aside for monoprints - above is 6 x 8inches and the first stab at going back to my starting place, the combination of landscape/figure, inspired by my most recent studio visit.
Last week I visited Bridget Moore. Bridget was in my original group of people I really, really wanted to visit but it was tough to organise and it is not an understatement to say that it lived up to my expectations and was worth the wait. You can see a little of her work here: https://www.newenglishartclub.co.uk/artists/bridget-moore-neac-rba-rws?art=101
Bridget was a generous visit, feeding me and then letting me look through her work myself and showing me piece after piece, and explaining the context. I saw her gouache plate, her tubes and some absolutely exquisite paintings and drawings. We talked about using memory, drawings and old photos, something I used to do but have lost the confidence to do, these days. We talked about that and she is a role model for working that way.
What happened when I got home is that the things that I look at daily (or DON'T look at) became visible - I had never noticed how mysterious almost iconic, a semi detatched house can be, until Bridget showed me. She likes silouettes and the light around the edges. So do I.
Tuesday, June 26, 2018
Sunday, June 17, 2018
Private View New English Art Club
Private View, Mall Galleries, In front of the 'Scholars Wall' my work (12 small pieces) on right |
People kept asking me if I was nervous before the Private View. The answer was 'no'. I hoped the work would speak for itself and all the members were so kind to me I was just excited and trying to enjoy every moment.
My day began by rendezvousing with Jane and Jo on the train. We made our way to the The Mall Galleries, arriving by noon. The atmosphere was wonderful. There were many people and more red dots were starting to appear. I had sold the little egg tempera of Dawn at the 'first sight' exhibition on Tuesday night so had already exceeded my expectations!
I went over to Messum's to meet Annabel and Patrick for 3pm. Rose Hilton's vibrant work was wonderful to see even though they were busy adding other artists to the exhibition. I was wearing my exhibitor badge and David Messum kept looking at me so I explained. He had been at the critics' lunch the day before (as had I) and had been trying to think how he knew me… it was all rather surreal. When I told Paul Wuensche (other scholar), he and I joked that we should make a habit of wearing exhibitor's badges as a rule.
Pauline arrived 5 ish and she went straight to my wall and was very excited to share that I had sold another piece, this time it was the image that is in the catalogue of Tiziana, labeled 'untitled' Pauline, Annabel Patrick and I made our way to the drinks table and clinked glasses. Figgy, Jonny, Livvy Padfield and Kate Hills joined our convivial group.
At 6:30 Richard Pikesley, president of the NEAC, then Sir David Clementi (Chairman of the BBC) addressed us, awarded prizes and the new scholars were announced.
I had many wonderful conversations with members and visitors between Monday and Thursday but perhaps my most thrilling was when Melissa Scott Miller came to find me to tell me that Anthony Eyton wanted to speak to me. According to Melissa he had spent a long time looking at my wall and when I spoke to him he spoke encouragingly and enthusiastically about my pieces, calling me a 'really wonderful artist'. He told me his work was up high at the RA Summer Exhibtion this year and I promised to look for it. Nothing could have prepared me for that encounter.
Sir David Clementi at Mall Galleries NEAC exhibition 2018 |
And there is an afterword: On Friday I met Lesley and Ian en route to Wales from Rome to bring them to the exhibition. I took an early train down and went to see Gabriella's exhibition in Fulham. Gabriella is one of the new scholars. As I was preparing to get off at South Kensington to change to the Wimbeldon train, I locked eyes with someone I recognised… it was Anthony Eyton again, on his way to the V&A about a commission! He remembered my name, having as he said only 'met me in the past 24 hours' and repeated all the nice things he'd said about me and my work to the man who was accompanying him to the V & A. I had to pinch myself.
Monday, June 11, 2018
Countdown to the New English 2018 Exhibition
Today was the hanging of the New English Art Club's annual exhibition, and I was there! It was great fun to see how the show gets hung and to meet a few more of the members. Paul (the other scholar) and I will share a wall and we arranged our work and affixed labels to the back. All the while members were carrying paintings from one place to another to see what worked best. It was amazing to see how fabulous the little wall looked hung and slowly other walls appeared. I left before our was hung but will be back tomorrow to see it completed!
I picked up a catalogue while there and was obviously delighted to have my work and some words in it!
Saturday, June 9, 2018
Tuesday, May 15, 2018
Slow drawing on a blustery Afternoon
Spring Flower Ceremony, pastel on paper, 16 x 16cm |
Monday, May 14, 2018
Changing Rooms a Change of Weather
From Ben's Room, pastel on paper 16 x 16 cm |
Sunday, May 13, 2018
Looking Down on the Garden
View from Katy's Room, pastel on paper, 16 x 16 cm |
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