Virtual Open Studio

Slow drawing on a blustery Afternoon

Spring Flower Ceremony, pastel on paper, 16 x 16cm

The forecast for rain never materialised (until now) but it was dark, cold and windy and I had house tasks to help with. I had planned to walk around the shore and to stop and draw, but who wouldn't be inspired by the collections here - what a fall-back position. Mom lit a fire and I set something up in one of the living rooms.  I don't have much yellow at my house.  I found a Kantha with a yellow panel and a wild euphorbia to plunk in the lustreware creamer.  Aren't those figurines so cherry blossom spring? It got darker and darker and I didn't want to put on any other light. I can see that there are things I need to change in a few places but it's been the perfect way to spend my final afternoon on the island.

Changing Rooms a Change of Weather

From Ben's Room, pastel on paper 16 x 16 cm

Another sketch wedged into my day.  This time it was almost 4pm and I moved my easel to Ben's room. The light was gorgeous and I didn't take a photo of the scene when I began. (note to self, always take a before, during and after picture). The light cut ribbons across the grass.  It was moving but I was nearly keeping up with it … that is until the fog rolled in and the light disappeared and everything flattened.  I continued drawing because I hadn't solved the trees.  There is more that I wasn't able to look at again and compare but suddenly it was nearly 6pm and what I was looking at was nothing like what I had started with.

Looking Down on the Garden

View from Katy's Room, pastel on paper, 16 x 16 cm

I was determined to fit a drawing into my day today and as I was getting dressed I realised I have never drawn from an upstairs window. It was 8:30 am and the shadows made sharp diagonals and that appealed to me.  There were reflections on the glass to contend with and I had to sit down to avoid the window frame obscuring my view… I always stand.  It felt complex as I worked but I tried to think about the rhythm of light and not to get too bogged down with naming things. 

Cold drawing in Morning May Light

Cypress Boatshed and Atlantic, pastel on paper, 16 x 16cm

Before my second day of gardening, I went to the barn and retrieved my easel and pastels. I love coming back to my Maine kit.  I have things organised differently and it feels like a new beginning.  The views change a little every year too. Since drawing, Ben has pruned the cypress.  Today he will reshaped the box 'balls'. 

It was 8:30 and cold.  I didn't want to go in and get more clothes because I knew the light would change beyond recognition so by the time I came in my hands were tingling. There was dew on the grass that had got in through the holes in my crocs. And the fog rolled in, hiding the water and the trees as I made my last few decisions.

The Shapes Marilyn Makes!

Marilyn is a remarkable model who can hold the most outrageous poses with precision and quiet. She has long toned legs the body of a former ballet dancer. Today we began with a 15 minute pose followed by a series of 3 or so minute poses. I worked in colour to begin with and have not included those here.  The four below are a sample of what Marilyn got up to and the one above was a twenty minute pose.

The Land, The Land

oil on panel, 15 x 20cm

It got almost hot today and I had a whole studio day.  I gathered my plein air 'kit' and walked until I found a vista that interested me. I began with a tonal study.  I was on an information gathering outing.  I had two small (6 x 8 inches) gessoed panels and thought I might be able to record something that would be useful in a studio painting later. That's what I'm exploring at the moment, using drawings and oil sketches as a starting point for a painting.

oil on panel, 15 x 20cm

Back in the studio I worked for a few hours on my four-canvas painting and when I'd resolved that for the time being, I turned back to my London river view.  I really liked it in its unfinished state so was quite hestitant to return to it, but the only thing to do is to keep going… the image below isn't really true to colour.  The sky is a light cerulean and the water is a muddy aqua. I used what I had so far, tried to remember what I felt about the place, used my drawings and my other oil sketch and referred to a photo. 

oil on canvas, 22 x 30cm

A few weeks ago I I drew in the same spot as above but the barge had gone and the sun was out.

pastel on paper, 10 x 6 cm