During Open Studios I had the pleasure of welcoming lots of people with different interests and tastes. My work is varied, but in my mind it is all related, and open studios gives people the chance to see how each piece relates to another piece and to see what inspires me.
Talking about my work in this context helps people who may not relate to one aspect of it to understand things differently. The above 'tinned view' is an idea I am working on for a mail art project I have begun. I am a mail artist and send mail art out widely, internationally. Mail art means that I get lots of wacky and often beautiful ideas all the time in the form of post. I am always pushing myself to find a different voice to send in the mail. The tinned view is the result of my Inspired by Becker project which you can learn more about here: http://ibbas.co.uk. My previous post shows some of the first experiments in monotype I'm working on for their annual exhibit.
I love making colour notes as I walk and these tinned views are acrylic on paper, something new for me.
I explained to the person who bought the fused plastic collage above about my process, how all those views informed this fused plastic collage. I talked about how the gesture and the symbols meant something to me as I made them, moved them, composed them committed to them. The title: Seaglass of Fields helped her to understand the piece and how I came to make it.
I often work across media, using an idea in a different way, or as inspiration for the next thing. In my mail art I call these versions. The Fused plastic collage with stitching and paint below is called Moated View, relating to my house and the shapes I see daily.
There are two new exhibitons coming up where I'll be showing some of this work. Maybe you'll want to come along?
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