Showing posts with label #pasteldrawing. Show all posts
Showing posts with label #pasteldrawing. Show all posts

Tuesday, March 14, 2023

Drawing through a shower curtain and what happened next

 Zoom life drawing continues.  I have been part of Mick Kirkbride's Insight Art zoom life drawing since it started.  It is absolutely brilliant! Today Mick hung a shower curtain so we could barely see the model.  Mick is an advocate of struggling with the materials.  What he didn't know was that my studio was bright today and it was even harder for me to make out the model (behind an opaque/translucent curtain), projected onto the wall.  

After I drew the three sketches behind the curtain, I thought how the ambiguity and blockiness of the figures recalled Bonnard. I took out a book of Bonnard paintings and opened to a page that had similar colours to what I was looking at and drew the model before me.


16 x 16cm (about an hour) pastel on paper prepared with tinted pastel ground



Bonnard - Nude with Chair

10 minute sketch through a translucent/opaque shower curtain. 

10 minute sketch through a translucent/opaque shower curtain. 

10 minute sketch through a translucent/opaque shower curtain. 




Wednesday, August 5, 2020

Peaches say Summer to me



Thirty years ago, when we lived in Rome, I bought most of my food from the local markets. In the summer the peaches were one of those necessary  indulgences, not just for their smell and taste but because of their form and colour.  I vividly remember bringing home a bag of peaches, I think I had bought a mix of yellow and white peaches, and spilling them out onto our table. We had very little furniture and very few things in general.  Our tablecloth was an offcut I found in a shop in Stratford-on-Avon, that apparently was the fabric used in a BBC studio.  It was blue and white.  I could barely wait to begin drawing what lay before me.  I still have the drawing, somewhere.

When I composed this I hadn't been thinking about the visceral pleasure the orange peaches on the blue tablecloth thirty years before had given me, but as I drew, I remembered and tried to evoke that intensity again. 

This was another stop-and-go still life. I picked two bouquets this time but in the end it would have been necessary anyway as I needed that white flower to still the composition.