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Snowy Walk, egg tempera on panel, 30x20, |
I was asked how I worked recently. Did I draw, did I work plein air, did I use photos? I use all those strategies but I don't work in a straight line, visualising an outcome. I begin with something I want to try out and then things happen and I need to make choices and find ways to solve problems.
I have tried to keep the snowy light in my head so that I could make a little series of pictures of walking in the morning light. I did some drawings and took some pictures and tried to look and look. I looked through paintings and kept two books open as I worked on this: Wolf Khan, pastels and particularly: Looking towards St Peters (1963) and Bonnard (Phillips Collection exhibition) Piazza del Popolo, Rome.
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Wolf Khan, Looking towards St Peters |
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Pierre Bonnard, Piazza del Popolo, Rome |
The place and the situation are a collage of memories, stitched together to make a believable moment. The figure with the hat was added later and I removed some things that were distracting. The moon was a happy accident. a drop of water that removed the tempera.
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