Valentina, oil on panel 30 x 40 cm |
Back in the studio I printed the ghosts using release agent, wiping it away to get some pure whites back where I had wiped previously. I also printed one that had been hanging around from the week before, with Esme. That seemed to work!
On Friday, even though we were advised not to travel, I went to London. The morning was spent at the British Museum and after seeing the Victorian photos, I went to the Mall where I made a few prints, following on from Monday. The print below is the best of the bunch and IMHO one of my best!
And on Saturday, I was back in London at Heatherley's for a brilliant painting workshop with Peter Clossick. This time I braved snow and bus replacements, travelling for 7 1/2 hours for the workshop! Still, totally worth it. The suggested technique was similar to the way I make a mono print to begin, putting on a neutral and then removing the light with a rag. I was very susprised how thinly I painted after that, considering I was taught by Peter. I had imagined working in thick paint… I think I never really got the structure aspect of the technique but I was enjoying what the paint was doing and was chasing the light. At the beginning I had decided to make two paintings. Peter stopped me with the top one (reclining nude) about an hour before the end of the session. I didn't resolve the head but it has triggered a chain reaction of ideas. Hopefully more soon!
Emily, monotype, akua intaglio on cartridge paper |
Mary, akua intaglio on Rives 10 x 15cm, NEAC |
Emily, monotype, akua intaglio on heritage paper, printed with press using release agent |
Emily, monotype, akua intaglio on heritage paper, printed with press using release agent |
Emily, monotype, akua intaglio on cartridge paper |
Emily, monotype, akua intaglio on cartridge paper |
Emily, monotype, akua intaglio on cartridge paper |
Emily, monotype, akua intaglio on cartridge paper |
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Valentina, oil on canvas 30 x 23 cm |
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