I began with the latest pieces of plastic I had acquired: a Marks and Spencer's bag, a Jacobs cream crackers packet, a bag of mixed nuts, salad bags, and a Doriano biscuit wrapper. I added a bit of that kelly green from an old RA mailing (not members this year) because I needed that. I had been thinking about Klee, Mali Morris - she's coming to talk in Colchester on Friday, Howard Hodgkin and Rothko. In my mind these people gravitate towards bold shapes and colours. The Marks and Spencer's bag and my recent foray into grids for Nichola Orlick's exhibit in Kyoto was still in the back of my mind. I had finished putting a portfolio together for something coming up, so felt light, happy. It was happy hour.
With my stitching I like to accentuate colour relationships, to move them back, bring them forward and the colours in the frame seemed to make the most of the inner life of the happy hour. It was hard to keep it simple but I resisted the temptation to complicate things.
High Stile was where we stayed in the Lakes. Happy Hour in HIgh Style says Jazz to me.
The above is copied from my post in Dining on Plastic: http://diningonplastic.blogspot.co.uk
(sometimes I like to highlight the overlap between my experiments in plastic and all the other experiments I make in other media … apologies if you see it in two places.
This bouquet was sent to me for Mother's Day by our adorable children from a florist in Kersey, a village nearby. I was still quite sick on Mother's Day and rushing to prepare for our trip to the Lakes, but I managed to record something about it in my new altered sketchbook:
The flowers travelled in the Defender up to the Lakes, back down and were beautiful until Saturday morning when I went out and picked a bouquet with my niece, Gracie. You might recognise some of the objects, reconfigured. I glued some paper onto the vase.
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| Spring Green and Book, pastel on paper, A4 |
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