Tuesday, March 19, 2013

Bottles and Snowlight

What with all this talk of snow again in the forecast, I got into a snow mind, rearranging some landmarks from my studio and beyond.

Tuesday, March 12, 2013

Snowlight in Maine summer


Woke up to white and the pink light of sun on snow.  Not sure why I took today's big blank canvas and painted summer in Maine but the snow colours were definately on my mind.  I think Figgy calls them 'sweet' colours.  I worked the same way I had yesterday, inventing a scene in charcoal from drawings, memory/imagination and  parts of a few photos.  My challenge was to use some yellow green and make it believable.  

Monday, March 11, 2013

New beginning colour and shape


Working from drawings, imagination and parts photos I began today with charcoal. It is drawing group Monday but what with the snow and not having the regular car I decided to stay home.  
I began drawing because I wanted to consider the light and shapes. When I finished I realised I'd done what I often do, put a line down the middle of the space.  Not sure why but I thought an ironing board would unify things, create some more complication and create a reason for the woman on the chair. 
This is only a few hours of painting so will come back to it again, and probably again.

Friday, March 8, 2013

Working in all directions



My preferred wayof working with pastels has always been plein air, or from life, anyway.  This is a departure. I decided to draw from a painting that began as a drawing that I abstracted and invented.  This is not as abstract as the painting, so more invented. I like the painterlyness of it.

Thursday, March 7, 2013

Figure with Deckchair

This painting was stalled for some time.  I wondered what would happen if I collaged some pastel drawing motifs onto it.  It was obviously Maine so I found a few drawings and attempted to translate the energy to the painting. I put one of Rose Hilton's catalogs at my feet and began.

Tuesday, March 5, 2013

Oriental lillies

This is my painting response to my earlier post, Notwithstanding Local Colour.  This painting has layers of paint under it, a tree painting a very loose vibrant overpainting over that and this which has tightened up but has some interest for me anyway.  I hope I can return to it and resolve it, but for now I'll turn it towards the wall.  It's mysterious the way you can paint many different ways  in a short space of time...